Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

Sunday, February 15, 2015

Why Is a Poem...? -- Poem by NYC Poet Luis "Storyteller" Cordova

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Why Is A Poem...

Why is a poem the only form of therapy we poets cling to when expressing our loss of a loved one?

As if a stanza can ever wipe my tears for the life of my daughter.
Syllables will never know the breath I would give to hear her laughter once more.

I wish I knew the answer.
The answer to why sonnets are the closest thing to a rhythm of her heartbeat.
She used to grab my fingers like pens and I would tickle her into stories for my journal.
I used to keep a journal.
I stopped once I noticed my fingers would get shaky every time I opened it.
Her eyes were either green or blue, but I'm certain it was green.
It's hard to remember when photos kissed a flame after the tragedy, and I'm looking at 6+ years without even a glance of her marble shaped eyes.

I'm afraid to fall asleep because I'm afraid of forgetting more.
Do you remember when I said her eyes were green?
She had the radiance of a horizon brown sunset no haiku could ever fathom.
What does that have to do with green?
Absolutely nothing, I just want to make sure to never forget the color that often stared at me.
Even though I'm choosing to write this in poetry form and share it with you, I'm actually doing this for me.
I happen to be one of those poets who finds comfort in the morgue of a poetry piece.
From loved ones to ideas.
Dreams and emotions.
Expectations and desires.
If the graveyard is said to be the richest place, then poetry is the one who lives in it.
We are the ones who come when rent is due.
It pays us in reminiscing on tragedies more often than laughter.
A poem is a dirty cracked mirror we can't help but use to see how we look before stepping on stage or writing on page.
And I swear, I can still see my daughter's smile when I blink for just a second longer than a tear whenever I stand in front of that very mirror.

When you read or hear a poem, remember that it is always a confession.
We admit more in poetry than we do when thinking to ourselves.
Why do you think that happens?
It's because we are too afraid to speak it aloud; we use poetry as a gateway into honesty and admittance and it's sad.

When you can know about the lost of my daughter sooner than knowing my full name.
I ask you again, why is a poem the only form of therapy we poets cling to when expressing the loss of a loved one?

Brooklyn, New York's Luis "Storyteller" Cordova is a spoken word poet who blends classical style of poetry with modern display of performance. Claiming to be the illegitimate poetic child of Maya Angelou and Walt Whitman, he says he "breathes metaphors in the ribs of personification" to bring about imagination to everyday situations.

Saturday, January 31, 2015

Poem: Machu Picchu By Yesenia Guerra

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Machu Picchu

Riding on the wings
of a condor,
I returned home
to lush
green
splendor
to this mountain retreat
I surrender.
The sundial marking the time
Inti showing only
a reflection on the Earth
Practicing the same ritual
of being a priestess
since birth.
Fortress of agricultural riches
Rainbow present at the marriage
of the sun and the moon
Stars aligned

as the calendar predicted.
The birds sing the chorus
while the Urumbamba river
keeps the beat
cloudy mountain mist
the perfect backdrop.
Chewing on the coca
Pachamama’s blessing
Overseeing the ceremony
for them to be wed
Inca adorned in royalty red
Puma at his feet
protecting the ruler’s seat
Snake rising above the ground
The Andean cross trinity
The sun and moon
united for infinity
Machu Picchu
the remnant of a
civilization’s divinity.

@YeseniaGuerra2014

Yesenia Guerra is enamored by language. She is a passionate poet and teacher living in New Jersey. Her blog can be found @ https://lapoetaflor.wordpress.com/.

Monday, July 14, 2014

Interview with 3Po3try NYC Poet Audrey Dimola - July 31 Summer Poetry Extravaganza

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Audrey Dimola will be one of the featured poets in Hot House: A Summer Poetry Extravaganza on Thursday, July 31 @ Organic Modernism in Williamsburg, Brooklyn, produced by 3Po3try NYC (https://www.facebook.com/3po3trynyc).

Infinitely curious and hell-bent on painting her world in the brightest colors possible, Dimola is a proudly born-and-raised Queens writer/poet/curator, cross-genre collaborator, and ever-intrepid literary explorer. She is the author of "Decisions We Make While We Dream," a poetry and prose collection spanning 2000 to 2012, guerrilla sticker poet of the Compass Project, and founder of reading/live writing series Nature of the Muse. A crusader for Queens culture since her college years, Audrey organized the first ever Queens Literary Town Hall at Queens Council on the Arts, bringing together the brightest literary lights in her home borough, and has curated arts events for Queens Museum and LaGuardia Performing Arts Center. She is one of the hosts of the Inspired Word's Wednesday night open mic @ COFFEED in Long Island City, Queens, and is currently finishing up work on her second book, "Traversals," set for release in Fall 2014.

Find out more about Audrey @ http://audreydimola.com and follow her on Twitter @ audreydwrites and Instagram @ audreyleopard.

The following is our quick interview with Ms. Dimola (who, like a lot of poets, eschews capitalized words and is particularly playful with punctuation):

What’s your definition of poetry?

poetry is the heart speaking – and the heart doesn’t always work with logic, with rationale, within limits. poetry – it’s mesmerizing, it’s lyrical, it’s useful, it’s abstract, it’s mystical, it’s profound. revelatory. poetry is trying to put the infinite onto a page. convey the ache, the joy, the longing.. break a shaft of light into a series of words. remember a summer evening. a first kiss. a last embrace. play with form, play with meaning, play with possibility. that’s the thing about it i love most – you can PLAY.

What one word describes your writing style?

"electroluminescent" - luminescence produced electrically! which for me translates to two hugely important forces in my world, my being, my work: light and energy! that, or just straight-up "ache" - because ache is intensity of FEELING, both beautiful or terrible. unbearable - you can ache for what's lost or ache from pure joy..

Does your poetry have a central theme? And if so, what is it?

it’s definitely the immortal in the mortal frame. there is a mysticism about it but it’s always tied to emotion. longing, ache in every sense of the word, nostalgia, freedom. tangling with god, with the beyond, with limits, with our memories. it churns out in images.. the natural world is always a mirror for me.

What's your idea of the perfect poem?

an explosion in the heart.. a dead-on suckerpunch and a sloppy, lingering kiss afterwards. ha! honestly - it's something you can't forget. it's something that hits you hard, lifts you up, makes you thankful you read it, or wish you could be that brave - something people from all backgrounds can appreciate and grasp onto, not just poetry fans or lit lovers. i love flowery words and visceral images, but also poems that are deceivingly simple but profound - something you can take with you, something you can USE.

What's your best writing moment? What's your worst writing moment?

best is letting it flow. the words that come over me like a mystic sensation - that just tumble out of me, and i let them be. i feel like they're coasting off from the current of the universe..

worst is trying too hard, judging myself.

If you could steal one line from any poem, what would it be?

such an amazing and difficult question! the line i have in my email signature is from kabir: "if you don't break your ropes while you're alive, do you think ghosts will do it after?" wow.

What’s your favorite place to write?

writing always comes out of restlessness for me. either an excitement bursting out of bones, a shock of resonance from the universe, a sense of ennui i can’t shake. it’s always coming out of that motion – either pacing the sidewalk with no shoes, scribbling on the train, sprawling in the grass, lurking in the memory of someplace somewhere else. i love writing outside or against a window. i love physically writing on everything (vandalism, shhh) – but i always come back to a good ol’, battered up, sticker-covered notebook. you always do, with a mind that never stops. i find that movement informs my writing – words come to me while doing yoga, riding my bike, swimming.. i have to stop and find ways to capture the words before they dart away!

What's the weirdest place you ever wrote?

honestly i don't think any place is weird, necessarily - writing is like breathing and it happens all the time, everywhere.. in bed next to your sleeping lover, in the car, in the bathroom! i CAN tell you a strange place some words of mine ended up - stuck in the form of a poetry sticker (from my compass project http://tinyurl.com/compassproject), on a bulldozer!

What's the weirdest thing you ever wrote on? 

this immediately makes me think of writing all over everything with sharpie. the world is my notebook! just the other day i wrote on a broken lamppost.



What comes easy to you with poetry?

sometimes nothing! ha. i like that it’s a dance. it’s an entanglement. it’s mind and word and pen swirling and marveling at how they resolve. sometimes it’s a fight from beginning to end, and other times it all spills out and i don’t edit at all. it’s strange, how inspiration blesses and damns us! the process is an exhuming, an excising, a breaking open and bringing out into the light. often, it hurts.. always, it’s necessary.

What time of the day do you mostly write? 

all times. words usually start flowing when i'm doing other things - i'm constantly inspired, soaking up everything.. when the muse strikes, you have to catch it - whether that means getting out of the shower to grab a pen, recording it onto your phone, scrawling it in the dark as you're falling asleep, squeezing out your notebook on a crowded train, or using WHATEVER is around to write on - receipts, napkins, etc.!

What do you do to get into your writing sessions? 

my writing sessions are always organic - they just happen. sometimes it feels like just giving myself over to something greater - trusting in it, letting it take over. i'm writing all the time, whether it's journal-style entries, quick observations, poems, prose - or with sharpie all over the place. strangely, as i'm going through life, i kind of know what's going to end up in a piece - i feel that ZAP of inspiration, almost like i'm watching a movie, taking silent notes of every detail.. i'll notice some incredible expanse of sky, or the way the light hits someone's face, or the way it feels to ride my bike in the street at twilight - and i know, oh man - THAT's going to be a piece, sometime soon.. there ARE times when i sit down and say "okay, time to write" - but they're much rarer. no matter what, i do love being in some kind of environment that opens me up.. and i LOVE the feeling of pounding out words on my old underwood typewriter - everything about it just feels right.

Do you have any writing superstitions?

i used to get really hung up on the inspiration going dry, or the muse leaving me - if i was in a groove, scribbling fervently, there would always be this voice in the back of my head - when's it going to stop? how am i going to finish this? or, in times when writing was difficult for me, i would often compare myself to the writer i "used to be" - the way it once flowed, seemingly so much more easily. either that, or comparing myself to others - my peers, the greats, everyone and anyone else who had a stronger voice. what did i have to SAY? and why couldn't i put it together? there was a period towards the end of high school and into early college in which i either wasn't writing at all, or writing about the fact that i COULDN'T write. i was stabbing into the dark - and it was devastating and bewildering to me, like i was suddenly robbed of all purpose.. looking back, now i know - i was just holding on too tight, stifling myself. how often we get in our own way..

How do you deal with your writing superstitions?

it took some time of existing in those fears, pushing through them, beginning to share my work again, and peeling back my own anxieties, expectations, guilt, conceptions, comparisons.. and realizing that - i am a writer. i will always be a writer. and, like with so very many things in life - i just have to LET. GO. it came out in the intro to my book, "decisions we make while we dream," when i self-published it in 2012 - "whether i write with wild abandon or through gritted teeth, this is what i do - it will always be mine." when it comes to creativity, the muse, being brave enough to expose yourself and your feelings - there has to be this intense level of trust. you have to trust yourself, you have to trust the craft, you have to trust the universe - live your life wildly and with gratitude, enjoy everything, learn from everything, FEEL everything - and your work will come. even if it's not always easy, even if you think it's awful as it hits the page, or it won't make sense to anyone but you.. keep going. keep trying. keep writing. it will all reveal itself. at the end of the day - this is the love of my life. i've been writing for as long as i can remember, and i know in my blood and bones - this is what i'll always do. this will always be HOME.

What book changed your writing forever?

"the great gatsby" is the first book that brought me to my knees. i've read it over and over since 8th grade and my god, every time i marvel at it. fitzgerald is just so skilled at what he does - the kind of sentences, images he comes up with.. timeless. and the definition of "ACHE"! aside from that first love - emerson is my all-time favorite writer. in college when we started reading his essays, i felt one of the first of many SHOCKS of resonance from the universe. he was writing about michel de montaigne and said of his writing: "cut these words, and they would bleed; they are vascular and alive." i can't remember anything hitting me so hard. from that moment on i knew THAT's what i had to devote myself to - to write in that way, to KEEP writing in that way.

What poet, dead or alive, would you like to be friends with?

my 2 "r's" - rumi, because of his ecstatic experiences of the divine, of mad love.. i feel so close to his words.

and rilke because he captures the beauty and terror of this existence - because he pretty much seems to have "channeled" the duino elegies and sonnets to orpheus from the universe, from some kind of greater power. that feeling - it's thrilling, humbling - and the kind of magic that happens with this craft, when you crack yourself open and let it all pour out.. blood, guts, divinity.

What are you hoping to accomplish with your poetry?

to remind everyone that they have a voice. that every voice is worth hearing. everyone can do this, everyone can try. that there are things we should look at again, things we should be thankful for, things we should release back out into the world in our own way. my favorite writers always help me feel like i’m not alone – they make me see so clearly the mystic beauty in everyday life. they make me look again. they make me feel familiar even when i feel out of place. i hope so much to bring that to my readers or listeners. to comfort them, to hit them hard, to do justice to these memories i can’t honor in any other way.

To purchase advance tickets to Hot House: A Summer Poetry Extravaganza, go to http://3po3trynycsummer.eventbrite.com.

Photo credit: Jay Franco (http://jayfranco.co/).




Thursday, July 3, 2014

Interview with 3Po3try NYC Poet Phillip Giambri AKA The Ancient Mariner

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Phillip Giambri aka “The Ancient Mariner” will be one of the featured poets in Hot House: A Summer Poetry Extravaganza on Thursday, July 31 @ Organic Modernism in Williamsburg, Brooklyn, produced by 3Po3try NYC (https://www.facebook.com/3po3trynyc).

Giambri obtained his deviant perspective on life listening to Jean Shepherd on WOR radio back in the ‘50s. Fleeing Philly at seventeen, he served in the military, has been an actor, hairstylist, stoner, janitor, writer, drifter, recording engineer, hired hand, poet, traveling salesman, barfly, banker, biker, bronco buster, announcer, mail-order minister, photographer, and “Computer Guru." He arrived in NY City in ’68, joined the Hippie pilgrimage to St. Marks Place, and never left. He’s attended too many schools to mention, studying nearly everything, without ever attaining a degree in anything. He produces and hosts a popular monthly spoken word/poetry event, Rimes of The Ancient Mariner as well as special collaborative events with other artist/performers; most recently the very successful, Barflies & Broken Angels. His website “Ancient Mariner Tales” offers bored web surfers a glimpse into his futile search for self-discovery and meaning. He can be found in downtown NYC, regularly spinning yarns and telling tall tales anywhere that will tolerate him.

The following is our quick interview with Phillip:

What’s your definition of poetry?

Painting pictures with words that are absorbed and felt in the heart or the gut rather than the head.

What’s your favorite place to write?

My cabin in the Catskills.

Does your poetry have a central theme? And if so, what is it?

My work is either reflections on childhood memories or stories of my adult life in dive bars, recording relationships and encounters in that environment.

What one word describes your writing style?

Nonintellectual.

What's your idea of the perfect poem?

An easily communicated story, with universal appeal, told in as few words as possible.

What's your best writing moment?

My best work has come to me during that “twilight time” when I’m almost but not quite asleep. Stories, memoirs, and visual film-like images appear in these moments.

What's your worst writing moment?

When I try sitting at the computer to meet some imagined writing deadline, stare at the screen for long periods, and nothing happens.

If you could steal one line from any poem, what would it be?

“To dance beneath the diamond sky with one hand waving free” - Bob Dylan

What time of the day do you mostly write?

Sunday afternoons.

What do you do to get into your writing sessions?

Have a drink or two, play background music that reflects the mood of the piece I’m working on, or pick a piece of music that will bring out the words I’m looking for.

What's the weirdest place you ever wrote?

500 feet underwater on a submarine.

What's the weirdest thing you ever wrote on?

My hand and arm, when a bar napkin wasn't available.

What book changed your writing forever?

A Coney Island of the Mind by Lawrence Ferlinghetti.

What poet, dead or alive, would you like to be friends with?

Lawrence Ferlinghetti.













What comes easy to you with poetry?

Nothing with poetry. But technical writing and intellectual comedy or cynical writing are a breeze; that stuff comes from my head easily. Writing from the gut is much harder for me.

What are you hoping to accomplish with your poetry?

Effectively communicate my view of the world, people, and relationships, bypassing intellect and pushing directly for an emotional connection.

To purchase advance tickets to Hot House: A Summer Poetry Extravaganza, go to http://3po3trynycsummer.eventbrite.com.

Photo credit: Jay Franco (http://jayfranco.co/).

Monday, March 17, 2014

10 Questions with...NYC Poet Graham Willner

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Graham Willner will be one of the featured poets in Raining Words: A Spring Poetry Extravaganza on Saturday, April 12 @ The Pomegrante Gallery, produced by 3Po3try NYC (https://www.facebook.com/3po3trynyc).

Born, raised, and still residing in Brooklyn, Willner is a pre-school teacher and poet who writes thoughtful pieces about the human condition. He says he “braids together semantics and syntax” to “rhythmically, metaphorically, and meaningfully point something out.” He finds himself most influenced by the “simple complexities of being human.”

The following is our quick 10-question interview with Graham:

What one word describes your writing style?

Metaphorocious (not a real word)

What's your idea of the perfect poem?

The perfect poem to me is based on a physiological response...when the back of your mind feels warms, your ears literally perk up, when goosebumps rise from your skin, tears form in the back of your eyes, and one side of your mouth smiles involuntarily.

What's your best writing moment? What's your worst writing moment?

My best and worst writing moments are hopefully both yet to come.

If you could steal one line from any poem, what would it be?

"Maybe there are cartwheels in your mouth, made they'll grow up to be gymnasts, maybe you've been kicking people with them by accident" - Andrea Gibson, A Letter to the Playground Bully

What time of the day do you mostly write?

I almost exclusively write while I'm on route to work...or going anywhere on the train. So, in the morning and the evening.

What do you do to get into your writing sessions?

I'll sometimes listen to a poem I want to emulate the sentiment of.

What's the weirdest place you ever wrote?

When I was the assistant teacher at a pre-school in Brooklyn, I would write during the children's nap time.

What's the weirdest thing you ever wrote on?

The underside of a giant water heater.

What book changed your writing forever?

I don't think any one book could change someone's writing "forever"... unless they never read another book again after that one...but I've been reading Salman Rushdie in hopes that it will effect my writing.

Do you have any writing superstitions? If so, what are they and how do you deal with them?

Yes...I superstitiously believe that the first way in which I phrase a line in a poem shouldn't be discarded...even if I've decided to re-phrase it. I deal with it by writing the line as it was originally phrased somewhere else.

To purchase advance tickets to Raining Words: A Spring Poetry Extravaganza, go to http://3po3trynycdebut.eventbrite.com.

Monday, March 10, 2014

10 Questions with...NYC Poet Alessandra Francesca

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Alessandra Francesca will be one of the featured poets in Raining Words: A Spring Poetry Extravaganza on Saturday, April 12 @ The Pomegrante Gallery, produced by 3Po3try NYC (https://www.facebook.com/3po3trynyc).

Born in Boston, poet Alessandra Francesca has been inspired by a range of artists, from T.S. Eliot to Humphrey Bogart, and her family feared she would run off to New York since before she could walk. She can be found mumbling poetry to herself on the L train and her work will strike you with its raw honesty and lasting poignancy. Her blog can be found @ http://ilsaseeksrick.com/. She lives in Brooklyn.

The following is our quick 10-question interview with Alessandra.

What's your idea of the perfect poem?

One that so begs to be read aloud it is eventually banned from libraries.

What was your best writing moment?

When I wrote my mother’s eulogy.

What was your worst writing moment?

Middle school. Studies show that 100% of Americans who dislike poetry cite
“That annoying girl in my 7th grade class” as the primary cause.

If you could steal one line from any poem, what would it be?

In the room the women come and go
Talking of Michelangelo. (from T.S. Eliot's The Love Song of J Alfred Prufrock)

What time of the day do you mostly write?

Obscenely early in the morning or maddeningly late at night.

What do you do to get into your writing sessions?

Fall in love, drink bourbon, or some combination thereof.

What's the weirdest place you ever wrote?

In a hotel room in Venice. The story starts with a tomato and ends with a fig.

What's the weirdest thing you ever wrote on?

My bedroom ceiling.

What book changed your writing forever?

Choke, by Chuck Palahniuk.

What poet, dead or alive, would you like to be friends with?

Neruda, so I could catch his cast-offs on the rebound.

To purchase advance tickets to Raining Words: A Spring Poetry Extravaganza, go to http://3po3trynycdebut.eventbrite.com.

Photo Credit: Jay Franco (http://jayfranco.co/)

Monday, March 3, 2014

10 Questions with...NYC Poet Danny Matos

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Danny Matos will be one of the featured poets in Raining Words: A Spring Poetry Extravaganza on Saturday, April 12 @ The Pomegrante Gallery, produced by 3Po3try NYC (https://www.facebook.com/3po3trynyc).

Native New Yorker Danny Matos is a spoken word poet who began performing in the fall of 2012. Since then, he has featured and performed at various venues and schools throughout New York. In 2013, he was the winner of the $1000 Poetry Idol contest and the co-winner of The Inspired Word Poetry Slam Championship. He believes words and expression give us all a purpose bigger than ourselves, as well as foster one of humanity's most precious needs - a sense of genuine connection to ourselves, each other, and the world at large. He released his first book of poetry late last year, Scratching the Surface. His website can be found @ http://dannymatos.com/.

The following is our quick 10-question interview with Mr. Matos:

What one word describes your writing style?

Clever

What's your idea of the perfect poem?

One that is honest.

What's your best writing moment?

When I’m writing just for me.

What's your worst writing moment?

When I catch myself writing for someone else, to please, or placating to others’ expectations of what writing looks life.

If you could steal one line from any poem, what would it be?

Who threw their watches off the roof to cast their ballot for Eternity outside of Time & alarm clocks fell on their head every day for the next decade… -Howl: Allen Ginsberg

Ask me another day and it will be different.

What time of the day do you mostly write?

I truly enjoy writing as soon as I wake up or really late at night, well after my day is over. But I tend to write all day (at least I’m mindful of what I’m writing all day).

What do you do to get into your writing sessions?

I like to sit in silence for a few minutes beforehand.

What's the weirdest place you ever wrote?

A funeral.

What's the weirdest thing you ever wrote on?

A plastic bag.

What book changed your writing forever?

It's between either The Alchemist by Paulo Coelho or 48 Laws of Power by Robert Greene.

To purchase advance tickets to Raining Words: A Spring Poetry Extravaganza, go to http://3po3trynycdebut.eventbrite.com.

Photo Credit: Jay Franco (http://jayfranco.co/)

Friday, February 7, 2014

Poem: The Healer by Arda Itez

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The Healer

What ails you, dearest child
Can you not see why you are here?
You are not of this realm
So embrace this precious gift
What pains you sweet, sweet girl
Have you yet to find your place?
Or have you seen what lies before you?
Fear etched upon your face

Ah, but you do know
In the darkest corner of your heart
This is the path you've returned for
To complete what you've begun
As you are a guiding light
For the broken, tortured soul
A muse for their redemption
The hand for each to hold

Rise up little girl
Mind the seeds that you have sown
For mortality is fleeting
And this life is not your own.

- Arda Itez

Monday, November 21, 2011

Mike Geffner: Poem "Everywhere"


EVERYWHERE

I was 16 when she died

A slip on blackened ice

Strangely hard, obscured

Is how it began

A broken hip bone

X-rays with a suspicious blur

A diagnosis

No one saw coming

Everywhere, the doctor said

It was everywhere

She will be dead, he said, in six months

Because it was everywhere

Except everywhere didn't understand who she was

It took three years and six months and 14 days and 4 hours and 17 minutes

To kill her

A month before my high school graduation

When I was 16

And every time I think of her

Now 40 years later

I am 16 again

And alone

And crying

Like never before, never after

The only boy I know

Without a mother.

- Mike Geffner

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Friday, September 23, 2011

Back to the Future star James Tolkan recites Keats exclusively for Mike Geffner's Inspired Word







Veteran actor James Tolkan, who played the in-your-face Mr. Strickland in Back to the Future and chided Michael J. Fox's character, Marty McFly, for being a "slacker," beautifully recites the famous John Keats poem "When I have fears that I may cease to be" exclusively for Mike Geffner Presents The Inspired Word.

Filmed @ James' home in Lake Placid, New York.

James is also known for his roles as the no-nonsense Commander Stinger in the 1986 box-office hit Top Gun, the coldly determined District Attorney Polito in Sidney Lumet's Prince of the City, Napoleon and a Napoleon look-alike in the Woody Allen comedy Love and Death, Big Boy Caprice's accountant Numbers in Dick Tracy, a police officer in Masters of the Universe, and a government agent in WarGames. He made guest appearances on many TV shows as well, including Naked City, Remington Steele, Miami Vice and The Fresh Prince of Bel-Air.

For more info on James, please visit http://www.imdb.com/name/nm0866055/.



When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high piled books, in charact'ry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.


- John Keats


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Thursday, September 15, 2011

“Ten Years Later,” A 9/11 Poem by Marlenas McMahon-Purk


(Photo taken by Marlenas McMahon-Purk on Sept. 11, 2001)

On the day of the recent earthquake, a friend of mine called the reaction of uneasy New Yorkers “pathetic.” A decade ago, as a student at Stuyvesant High School, I was only four small city blocks from the Twin Towers on 9/11, with a rare, unimpeded view of the horrors of that day. We were inside our school when the second building collapsed (when the above picture was taken) and felt the building shake, saw the lights flicker. Tower 1 was falling as we evacuated, but the debris was falling so fast and we had to run from the smoke. So, as you can imagine, on the day of the earthquake, when my office building was evacuated, I couldn't help relieving the incredible uneasiness of my 9/11 experience. Despite my attempts to evoke understanding in my friend, I was startled by a general lack of compassion for my experience with trauma. I ask not for sympathy, but understanding, at the very least.

“Ten Years Later,” by Marlenas McMahon-Purk

The guilt that accompanies posttraumatic stress disorder begets itself
It is the magic of a starfish turned into something ugly
Where regeneration generally signifies life and rebirth,
Every leg of guilt is merely an adjunct to the body of the PTSD starfish
And every successful excision is a hidden future failure
Leading to the introduction of a new feeling of guilt,
Familiar, because it is still a leg,
But new because it slightly differs from the guilt once had

Trauma is castanets that start slowly, rhythmically
Completely attuned to your auditory aesthetic
Increasing to a rate aligned with the tachycardia pulsating through your atrioventricular canal
Now-marauding palpitations demanding you to hear,
An involuntary listener from valve to vein
In an aching atrium in the
amplified amphitheater of the heart

Trauma is vengeful and unforgiving
It does not seek truth or progress like people can
PTSD is addicted to itself
It is its own trigger
It is the herpes of the mind
Trauma lies dormant until you’re absolutely convinced that you’re in the clear for an emotional flare-up

And you knew, friend, that 9/11 was but one of my traumas

Trauma is desperately needing a muhfuckin benzo when there is
Not a Xanax, not a Klonopin, not an Ativan, not a Valium in sight.

It is the feeling at the precipice of inspiration, the birth of a good idea, quelled and internalized into an aborted thought that will not bleed out, the once-life now a paralysis anything but peripheral

Trauma is shock-value advertising for its own propaganda


I left work early today
I left school early nearly 10 years ago to the date
Another Tuesday, no less
Another beautiful Tuesday, to be more precise
I’m already embarrassed about being a grown-ass woman still affected by this shit

An evacuation is not just an exit to me
I see New York as the dormant Middle East
With good reason

September 11th wasn’t just a day
It was the birth of fear exploitation

And it worked
Like soldiers programmed to attack,
My autonomic nervous system is armed with ammunition
To attack me
…And it works

I feel like a bitch
I feel like a bitch for being unable to relate my feelings to my coworkers
Whether New Yorkers
Or “New” New Yorkers, to put it kindly

Truthfully, the only people who I feel comfortable sharing with are the two women who ran with me down the west side highway
I Usain Bolted my life
By foot back to Chelsea
With each hand held in solidarity,
One foot in front of the other
One girl, feel bleeding in stilettos,
Because at age 16
She didn’t expect to have to run from the sweetheart skyscrapers of New York

But please,
Make jokes in times of emergency
Say things like “Emergencies can be fun sometimes!”
Dripping with suburban privilege

While we evacuate the building
I only WISH my mind could check out
I only WISH I could have the same emotional emptying
But instead, I feel like a bitch

How do you explain to your job that the mere thought of having to forcibly leave the building is enough for a panic attack?
...because of something that happened 10 years ago?

Panic, which semantically lends itself to colloquial sentiments of
frivolous hysteria
Which lends itself to metapanic:
Feeling guilty about involuntarily instilled instincts

I just want a day when—whether AM or PM—9:11 is just a time

Yet it’s 9:11 every time I look on the clock
On the conspiracy theory of time

Trauma never has time for me
But there’s always time for trauma
Her watch, which defies the conventions of general cognition and behavior
Her watch, which is really a multifunction clock—
It stops time, it resets your time
And owns all time in between

And then you realize
You’ve just been playing chess with the grandmaster this whole time
When I hit the clock, it’s trauma’s move,
But it doesn’t guarantee my next one

…And until 9:11 is just a time again,
It has me

I’m not here to play the “I have it worse” game
Because like many games will delude you into thinking so,
No one wins this game

My question to you is this, though:
What was your trauma that shaped you to be so callous as to wear presumptuousness like a mime wears suspenders
Self-identifying as one who acts without speaking and who wears proudly her costume,
But suspending aggressive retorts to my pain,
But still assuming that things must be black and white
Because of the clear binary in the stripes of your makeup
But, mimes are misunderstood if nothing else,
Because they act without speaking

So I wonder
If you could speak from behind the outfit
Who would your mime mime?
Marseau surely saw
Parcels of Marcel
Who are you under “you?”
Rather—why are you under you
Because you’re fucking yourself
As long as you lack compassion
So, why don’t you hear me—
And then speak…without acting?
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Friday, September 9, 2011

"One and One: The Obscene Gravity of [the] Pear" - A Poem Curated By Joseph A. W. Quintela




One and One: The Obscene Gravity of [the] Pear

A Poem Curated by Joseph A. W. Quintela

 

It is fascinating how photographs capture selves that we want
[or don’t want] in certain moments.

     -Rachel Eliza Griffiths, Mule & Pear
(approximation, extracted from reading comment)

 

I have a habit that a lot of my heroes are dead.

     -Paulie Lipman, The Obscene Gravity of Silence
(approximation, extracted from reading comment)

 

When I tell


where the blood is, my


too-often, bull-mouth,


word-fracturing,


hissing, breeze-through-the-girl,


barbed teeth


coil. Part his lips,


thick as autumn vines, to grin flint at me


like a spike. Keep light out. And I must take


my own hand, all willow wispy,


as if it were a stave, but nowhere as strong,


brokenly bleating, Let the light through.

 

A thousand-throated neighbors


call beneath me


             (nobody listen),


call me to say,


The men have left, except for the reporters,


the women like it here,


piled like a beige heap of trees,

 

to be ironed & mended. Cold shadow


of 3 fathers, all mothers have left,


but in their shadow


let me be the chandelier.

 

Family: where your body,


in its cradle, shared a name with


me. And


there is far more blood between us, if I'm answering


you. He


was soil and light in my lungs


where screams fired me back to nothing.


Truly, I wear golden lamps,


after midight raised me;


shaped us into lips of light opening


for his divine imagination


(& we would plague


again). The things


I have lived hold me now.


I am no more. Life,


a frament. And wish.


His sense of purpose. The clouds behind me.


 

The last body expands,


indifferent as the first luminous stain.

 

All I wanted was to tell him,


You, the others, Mr. President,


you, and the rest of your kind: be near me.


Us: where the blood tipped on the brink


learned beauty.


I was blood at their feet.


Stir the leaves & tell me


where the blood is going. Ancient,


bull-bellied clouds (slow death).


Our hips bleed


into surrender. Girl & woman:


so barbed.


Coil at the very root.


Thick as autumn vines, the barest glimpse


of my--(keep the light out!)--


own hand. I am 60 years old.

 

The forest, as if it were a stave of notes


grown crooked, brokenly bleating


in the shadow of a thousand-throated


third. A preserved hummingbird.


Listen to us: The tourists


weakened branches say to


whither and return to dirt. The men have left,


the women (I am not a murderer!) have


been piled. I've only ever loved.

 

I am a parolee, to be ironed and mended.


I have left you.


I am no one's daughter.      Blood


(Our)                                                   drips from the chandelier

 

[Joseph A. W. Quintela's Note: The poem presented here is a composite (or mash-up) of The Two Elizas by Rachel Eliza Griffith and Squeaky by Paulie Lipman. The title is a composite of the titles of their most recent collections. The two poets performed together on 8 September, 2011 as featured poets at Michael Geffner’s Inspired Word hosted at One and One in New York City. Poems used with the permission of the poets.]

 


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Wednesday, August 17, 2011

CheRae Chaney: Poem "Proposal"



Proposal by CheRae Chaney

As I write by my windowsill
My mind is taken hostage by the lights that broke in.
Their continuous sights make themselves at home on my paper
Now tie dyed with the reds and greens of street lights and
The white and yellow eyes of cars.
While I hug my pillow and think of the future
My heart can’t help but sink at the reality
That this is not my home, only a three month stay.
But I want to share my poetry and learn at the University,
But my enrollment hollers at me with my commitments right behind.
But my life and I have just met and I don’t want it to be a one night stand.
I want to marry the city with all its lights and glory,
The employment, the people, and even the smell.
We all have baggage but I think your matches mine well.
Although time is not in our favor, and from what I hear
You have a track record for breaking hearts, destroying dreams,
And hazing newcomers. Well as another one of your lovers,
I want to prepare you, because you have never had me before.
Big Apple you don’t scare me!
The roar that comes from this city is loud,
But I will drown it out with a determined battle cry!
And with my quick feet I will never succumb to the city crowd.
As awkward as I may be little girl from the suburbs of VA
I’ll still greet the city slicker with a smile and a “hey”
NYC I hope your ready for me,
Because everyone said to get ready for you
And I assimilated long enough to tell that who I really am
And who you are gets along pretty well.
You have the diversity I have the worldly understanding,
You bring the lights, I’ll give you the show,
You have the rumors and I have the doubt
And together we can prove them both wrong.
But three months was not really enough time.
But I used every second to learn, every minute to grow,
Everyday to listen and every night to write.
Write by my window, in my bed hugging my pillow;
The only time I don’t challenge the city and let it take hostage my mind
While I propose with my words and get down on one knee
I ask that the love of my life, NYC
Will you marry me?

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Sunday, July 17, 2011

Poets Michael Cirelli & R. Erica Doyle @ Big Apple BAP: NYC's Best American Poetry Poets





Poets Michael Cirelli & R. Erica Doyle @ The Inspired Word's Big Apple BAP: NYC's Best American Poetry Poets, Thursday, June 16, 2011, @ One and One Bar/Restaurant, Nexus Lounge, Manhattan, NYC.

Michael Cirelli was born in Providence, RI in 1975. His newest collection, Everyone Loves The Situation (Penmanship Books, 2011), deconstructs MTV's hit reality show, Jersey Shore, flipping the cultural zeitgeist on its (gelled and sprayed) head. He is also the author of Vacations on the Black Star Line (Hanging Loose Press, 2010), which was named in About.com's Poetry Picks "Best Books of 2010," and Lobster with Ol' Dirty Bastard (Hanging Loose Press, 2008), which was a NY Times bestseller from an independent press and was featured in the "Debut Poets" issue of Poets & Writers Magazine. His work has appeared in The Best American Poetry, Hanging Loose, Texas Review, World Literature Today and King Magazine, among others. He is the Executive Director of one of the nation's largest youth literary arts organization, Urban Word NYC, and has authored two poetry curricula, Poetry Jam (Recorded Books, 2010) and Hip-Hop Poetry & the Classics (Milk Mug, 2004). He has also appeared on HBO's Def Poetry Jam and Brave New Voices. He appears in the 2011 Best American Poetry.

R. Erica Doyle was born in Brooklyn to Trinidadian immigrant parents, and has lived in Washington, DC, Farmington, Connecticut and La Marsa, Tunisia. Her poetry and fiction have appeared in Best American Poetry (2001), Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles, Callaloo, Ploughshares, Best Black Women's Erotica, Bum Rush the Page, Bloom, and from the Fishouse, among others. She has received grants and awards from the Hurston/Wright Foundation and the Astraea Lesbian Writers Fund, and was a New York Foundation for the Arts Poetry Fellow. She is also a fellow of Cave Canem, and her manuscript, proxy, was a finalist for the 2007 Cave Cavem Poetry Prize, selected by Claudia Rankine. Excerpts from proxy were also published as a Belladonna* chapbook. She received her MFA in Poetry from the New School, and lives in New York City, where she teaches in the NYC public schools and facilitates Tongues Afire: A Creative Writing Workshop for queer women and trans and gender non-conforming people of color.

This inaugural Big Apple BAP: NYC's Best American Poetry Poets was a night celebrating New York City's finest poets, whose poems over the years have been honored with inclusion in the highly respected annual anthology, The Best American Poetry. http://www.bestamericanpoetry.com/

Hosted by The Best American Poetry's founding editor, David Lehman, the debut lineup included a dazzling array of accomplished poets: Mark Bibbins, Jennifer Michael Hecht, David Shapiro, R. Erica Doyle, Jerome Sala, Elaine Equi, Michael Cirelli, Stacey Harwood, George Green, Carly Sachs, Matthew Yeager, Amy Holman, and Vicki Hudspith.

It was a fabulous night of poetry.

Founded by award-winning journalist and former Village Voice columnist Mike Geffner, The Inspired Word is one of the hottest new poetry/spoken word series in the country, happening every Tuesday and Thursday night in Manhattan's East Village.

Venue: One and One Bar/Restaurant (downstairs Nexus Lounge)
76 East 1st Street (corner of 1st Avenue)
Manhattan, New York City

Filmed & Edited by: Laurence Wallace
http://www.laurencewallace.com/

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Saturday, July 16, 2011

Poets George Green & Amy Holman @ Big Apple BAP: NYC's Best American Poetry Poets





Poets George Green & Amy Holman @ The Inspired Word's Big Apple BAP: NYC's Best American Poetry Poets, Thursday, June 16, 2011, @ One and One Bar/Restaurant, Nexus Lounge, Manhattan, NYC.

George Green received an MFA in poetry from The New School and currently teaches poetry courses at Lehman College, CUNY, in the Bronx. His poems have appeared in various journals and in the anthologies Poetry 180; 180 More Poems; The Best American Poetry 2005; The Best American Poetry 2006; Bright Wings: An Illustrated Anthology of Poems about Birds; and The Swallow Anthology of New American Poets. In 2011 a selection of his poems will be included in an anthology of six American poets published by the Anvil Press in Great Britain.

Amy Holman's poem "Man Script" was published on the cover of Literal Latte flanking a photo of a naked woman with henna tattooes and spotted by Robert Bly when he was lunching in The Noho Star. He added it to the 1999 Best American Poetry anthology. Jennifer Michael Hecht posted "1,500 Parakeets Rescued From 2-Room Apartment" ten years later on the Best American Poetry Blog. Other than that, she has a collection, Wrens Fly Through This Opened Window, published in 2010 with Somondoco Press, and a chapbook, Wait For Me, I'm Gone, which won the 2004 Dream Horse Press annual prize. Her poetry has been in Archaeoogy Magazine, American Letters & Commentary, Barrow Street, Failbetter, Gargoyle, The Potomac Review, and in the anthology Token Entry: NYC Subway Poems. She writes, fiction and nonfiction, and is a literary consultant.

This inaugural Big Apple BAP: NYC's Best American Poetry Poets was a night celebrating New York City's finest poets, whose poems over the years have been honored with inclusion in the highly respected annual anthology, The Best American Poetry. http://www.bestamericanpoetry.com/

Hosted by The Best American Poetry's founding editor, David Lehman, the debut lineup included a dazzling array of accomplished poets: Mark Bibbins, Jennifer Michael Hecht, David Shapiro, R. Erica Doyle, Jerome Sala, Elaine Equi, Michael Cirelli, Stacey Harwood, George Green, Carly Sachs, Matthew Yeager, Amy Holman, and Vicki Hudspith.

It was a fabulous night of poetry.

Founded by award-winning journalist and former Village Voice columnist Mike Geffner, The Inspired Word is one of the hottest new poetry/spoken word series in the country, happening every Tuesday and Thursday night in Manhattan's East Village.

Venue: One and One Bar/Restaurant (downstairs Nexus Lounge)
76 East 1st Street (corner of 1st Avenue)
Manhattan, New York City

Filmed & Edited by: Laurence Wallace
http://www.laurencewallace.com/

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Friday, July 15, 2011

Nathan Pearson: Poem "The Inspired Word"



The Inspired Word

Death
No longer feels like
An intrusive houseguest
When the only thing more ravaged
Than your body
Is your psyche

Banished thoughts of doing things
Never done before
Due to being consumed
With thoughts of never doing
Things once easily done...... again.

World not just turned upside down
But exploded and imploded
A personal ground zero
With no construction plans
For rebuilding

Feeling left betrayed
By body and pockets.....
Lady luck
Morphed into Lady Lupus
No need for money anyway
Since dead blue finger tips couldn't
grip it.....so lost job's impact wasn't
Easily felt

Groundhog days never ending
Nowhere to go to
Nowhere to be
Couldn't get there if I wanted to
Even with a stylish piece of wood
Imported from the motherland

Feet you failed me now

Left feeling less than
All cool left the room
Supply depleted with none on reserve
Couldn't even scream out in despair
Swollen chest lining created a sound proof environment

Life ain't a bitch
Because even a bitch can be reasoned with

During that time
Of deepest despair

Never imagined
Descending into a pit
Could elevate the spirit

Not realizing I was walking into a matchmakers dream

She had me at hello
Although neither one of us
Realized I was ripe for picking

If love is blind
Then love at first sight can never occur
Yet love still blossomed
During that first meeting

She knew me without ever knowing me
Not knowing she possessed the perfect remedy
Her power of speech intoxicating

Embraced me with multiple arms
Hugged me from every direction
Screamed sweet somethings
Into ears that no longer heard my own voice

Kissed me flush upon the lips
Breathing new life
Into lungs that found a way to turn bass into treble....
Now rebalancing the equalizer
So bass emitted once again

How could I commit to one who was not monogamous
For she gave herself to all that crossed her path

Still she had me at hello
Although neither of us knew I was
Ripe for picking.

She didn't waste time introducing me to her friends
Instead
She reintroduced myself to me

She nurtured me
Excited me
Finally gave me a sense of peace
Even let me dance the lead
After prompting me
To stand on steadied feet
She fancied me
Gave me energy
Gave me hope for what could finally be

All this
The inspired word
Did for me

- Nathan Pearson (Nathan P.)

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Wednesday, July 13, 2011

Poets Elaine Equi & David Lehman @ Big Apple BAP: NYC's Best American Poetry Poets





Poets Elaine Equi & David Lehman @ The Inspired Word's Big Apple BAP: NYC's Best American Poetry Poets, Thursday, June 16, 2011, @ One and One Bar/Restaurant, Nexus Lounge, Manhattan, NYC.

Elaine Equi is the author of many books including Ripple Effect: New & Selected Poems and most recently, Click and Clone, from Coffee House Press. Her work has appeared in The Nation, The New Yorker, Poetry, and several editions of Best American Poetry (1989, 1995, 2002, 2005, 2007, 2010) She teaches at New York University and in the MFA programs at The New School and City College.

David Lehman is a poet, writer, editor, and teacher. He launched The Best American Poetry in 1988 and continues as the series editor of the acclaimed annual anthology. His own books of poetry include When a Woman Loves a Man (2005) and Yeshiva Boys (2009). The most recent of his seven nonfiction books, A Fine Romance: Jewish Songwriters, American Songs, won the 2010 Deems Taylor Award from ASCAP. Lehman has edited The Oxford Book of American Poetry. He teaches in the graduate writing program at the New School in New York City.

This inaugural Big Apple BAP: NYC's Best American Poetry Poets was a night celebrating New York City's finest poets, whose poems over the years have been honored with inclusion in the highly respected annual anthology, The Best American Poetry. http://www.bestamericanpoetry.com/

Hosted by The Best American Poetry's founding editor, David Lehman, the debut lineup included a dazzling array of accomplished poets: Mark Bibbins, Jennifer Michael Hecht, David Shapiro, R. Erica Doyle, Jerome Sala, Elaine Equi, Michael Cirelli, Stacey Harwood, George Green, Carly Sachs, Matthew Yeager, Amy Holman, and Vicki Hudspith.

It was a fabulous night of poetry.

Founded by award-winning journalist and former Village Voice columnist Mike Geffner, The Inspired Word is one of the hottest new poetry/spoken word series in the country, happening every Tuesday and Thursday night in Manhattan's East Village.

Venue: One and One Bar/Restaurant (downstairs Nexus Lounge)
76 East 1st Street (corner of 1st Avenue)
Manhattan, New York City

Filmed & Edited by: Laurence Wallace
http://www.laurencewallace.com/

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Poet David Shapiro @ Big Apple BAP: NYC's Best American Poetry Poets





Poet David Shapiro @ The Inspired Word's Big Apple BAP: NYC's Best American Poetry Poets, Thursday, June 16, 2011, @ One and One Bar/Restaurant, Nexus Lounge, Manhattan, NYC.

David Shapiro is an American poet, literary critic, and art historian. He has written some twenty volumes of poetry, literary, and art criticism. He was first published at the age of 13, his first book was published when he was just 18, and he was a finalist for the National Book Award at 24. Shapiro is one of the most prolific and important figures of the second generation of the New York School and has appeared in six editions of Best American Poetry.

This inaugural Big Apple BAP: NYC's Best American Poetry Poets was a night celebrating New York City's finest poets, whose poems over the years have been honored with inclusion in the highly respected annual anthology, The Best American Poetry. http://www.bestamericanpoetry.com/

Hosted by The Best American Poetry's founding editor, David Lehman, the debut lineup included a dazzling array of accomplished poets: Mark Bibbins, Jennifer Michael Hecht, David Shapiro, R. Erica Doyle, Jerome Sala, Elaine Equi, Michael Cirelli, Stacey Harwood, George Green, Carly Sachs, Matthew Yeager, Amy Holman, and Vicki Hudspith.

It was a fabulous night of poetry.

Founded by award-winning journalist and former Village Voice columnist Mike Geffner, The Inspired Word is one of the hottest new poetry/spoken word series in the country, happening every Tuesday and Thursday night in Manhattan's East Village.

Venue: One and One Bar/Restaurant (downstairs Nexus Lounge)
76 East 1st Street (corner of 1st Avenue)
Manhattan, New York City

Filmed & Edited by: Laurence Wallace
http://www.laurencewallace.com/

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Tuesday, July 12, 2011

Poet Mark Bibbins @ Big Apple BAP: NYC's Best American Poetry Poets





Poet Mark Bibbins @ The Inspired Word's Big Apple BAP: NYC's Best American Poetry Poets, Thursday, June 16, 2011, @ One and One Bar/Restaurant, Nexus Lounge, Manhattan, NYC.

Mark Bibbins is the author of The Dance of No Hard Feelings and the Lambda Award-winning Sky Lounge. He teaches at The New School and Columbia University, and edits the poetry section of The Awl. His poems were included in the 2004, 2009, and 2010 editions of Best American Poetry.

This inaugural Big Apple BAP: NYC's Best American Poetry Poets was a night celebrating New York City's finest poets, whose poems over the years have been honored with inclusion in the highly respected annual anthology, The Best American Poetry. http://www.bestamericanpoetry.com/

Hosted by The Best American Poetry's founding editor, David Lehman, the debut lineup included a dazzling array of accomplished poets: Mark Bibbins, Jennifer Michael Hecht, David Shapiro, R. Erica Doyle, Jerome Sala, Elaine Equi, Michael Cirelli, Stacey Harwood, George Green, Carly Sachs, Matthew Yeager, Amy Holman, and Vicki Hudspith.

It was a fabulous night of poetry.

Founded by award-winning journalist and former Village Voice columnist Mike Geffner, The Inspired Word is one of the hottest new poetry/spoken word series in the country, happening every Tuesday and Thursday night in Manhattan's East Village.

Venue: One and One Bar/Restaurant (downstairs Nexus Lounge)
76 East 1st Street (corner of 1st Avenue)
Manhattan, New York City

Filmed & Edited by: Laurence Wallace
http://www.laurencewallace.com/

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